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<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description></description><title>el conTEXTO</title><generator>Tumblr (3.0; @elcontexto)</generator><link>http://www.elcontexto.net/</link><item><title>Arne Quinze, Bruxelles</title><description>&lt;img src="http://30.media.tumblr.com/tumblr_lz5b5093Nj1ropu8no1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Arne Quinze, Bruxelles&lt;/p&gt;</description><link>http://www.elcontexto.net/post/17515523793</link><guid>http://www.elcontexto.net/post/17515523793</guid><pubDate>Sun, 12 Feb 2012 17:49:05 -0500</pubDate></item><item><title>Anamorphism</title><description>&lt;img src="http://30.media.tumblr.com/tumblr_lz6qw8Maz71qz6f9yo1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://28.media.tumblr.com/tumblr_lz6qw8Maz71qz6f9yo2_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;&lt;a href="http://www.whudat.de/anamorphic-illusions-by-felice-varini-34-pictures/"&gt;Anamorphism&lt;/a&gt;&lt;/p&gt;</description><link>http://www.elcontexto.net/post/17507174602</link><guid>http://www.elcontexto.net/post/17507174602</guid><pubDate>Sun, 12 Feb 2012 15:37:06 -0500</pubDate><category>art</category><category>paint</category><category>visual</category><category>optical</category><category>effect</category></item><item><title>Borderfield Area | A zone along the US/Mexico Border between the...</title><description>&lt;img src="http://29.media.tumblr.com/tumblr_lz6waa8Sk91qzz5i6o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Borderfield Area | &lt;span&gt;A zone along the US/Mexico Border between the Pacific Ocean and Interstate 5, with several remarkable land uses that combine to make one of the most unusual places in the country.&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;span&gt;More info: &lt;a href="http://www.clui.org/ludb/site/borderfield-area"&gt;CLUI&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://www.elcontexto.net/post/17498739300</link><guid>http://www.elcontexto.net/post/17498739300</guid><pubDate>Sun, 12 Feb 2012 13:24:05 -0500</pubDate><category>architecture</category><category>border</category><category>line</category><category>mexico</category><category>USA</category></item><item><title>Our walk upon this earth is in essence a creative path. There is...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lysfwfwHKK1qznpi1o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Our walk upon this earth is in essence a creative path. There is nothing uncreative about you.&lt;/p&gt;
&lt;p&gt;— Synaptic Stimuli&lt;/p&gt;</description><link>http://www.elcontexto.net/post/17491332912</link><guid>http://www.elcontexto.net/post/17491332912</guid><pubDate>Sun, 12 Feb 2012 11:12:05 -0500</pubDate></item><item><title>Alles Wird Gut - Herzburg Apartments, Vienna 2010.</title><description>&lt;img src="http://29.media.tumblr.com/tumblr_lz72u2dPls1qat99uo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://www.alleswirdgut.cc"&gt;Alles Wird Gut&lt;/a&gt; - &lt;a href="http://www.alleswirdgut.cc/awg.php?go=ERZ"&gt;Herzburg Apartments&lt;/a&gt;, Vienna 2010.&lt;/p&gt;</description><link>http://www.elcontexto.net/post/17451090865</link><guid>http://www.elcontexto.net/post/17451090865</guid><pubDate>Sat, 11 Feb 2012 17:48:06 -0500</pubDate></item><item><title>Wasseraufbereitung in der DDR by  Konstantin Datz, Moritz von...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lz1e3xJqWz1r4be2ko1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://28.media.tumblr.com/tumblr_lz1e3xJqWz1r4be2ko2_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://30.media.tumblr.com/tumblr_lz1e3xJqWz1r4be2ko3_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/tumblr_lz1e3xJqWz1r4be2ko4_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://26.media.tumblr.com/tumblr_lz1e3xJqWz1r4be2ko5_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://25.media.tumblr.com/tumblr_lz1e3xJqWz1r4be2ko6_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://28.media.tumblr.com/tumblr_lz1e3xJqWz1r4be2ko7_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/tumblr_lz1e3xJqWz1r4be2ko8_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://27.media.tumblr.com/tumblr_lz1e3xJqWz1r4be2ko9_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://29.media.tumblr.com/tumblr_lz1e3xJqWz1r4be2ko10_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;Wasseraufbereitung in der DDR by  Konstantin Datz, Moritz von Volkmann, and Philipp Datz&lt;/p&gt;</description><link>http://www.elcontexto.net/post/17443642706</link><guid>http://www.elcontexto.net/post/17443642706</guid><pubDate>Sat, 11 Feb 2012 15:36:06 -0500</pubDate><category>architecture</category><category>projects</category><category>germany</category></item><item><title>
AN INFRASTRUCTURE FOR THE INFORMAL
//Masterplan for the City of...</title><description>&lt;img src="http://29.media.tumblr.com/tumblr_lbcbekjT611qecx2bo1_r9_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;AN INFRASTRUCTURE FOR THE INFORMAL&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;//Masterplan for the City of the Dead&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src="http://media.tumblr.com/tumblr_lbb52tYdZX1qdty1d.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src="http://media.tumblr.com/tumblr_lb26fqRMxl1qdty1d.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src="http://media.tumblr.com/tumblr_lb26gclL3H1qdty1d.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src="http://media.tumblr.com/tumblr_lb25p9Hbfj1qdty1d.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src="http://media.tumblr.com/tumblr_lb25puX3IK1qdty1d.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src="http://media.tumblr.com/tumblr_lb25qisAcd1qdty1d.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src="http://media.tumblr.com/tumblr_lb260xcF6D1qdty1d.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src="http://media.tumblr.com/tumblr_lb263fSZFL1qdty1d.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src="http://media.tumblr.com/tumblr_lb265mUUyk1qdty1d.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src="http://media.tumblr.com/tumblr_layddyb0mP1qdty1d.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src="http://media.tumblr.com/tumblr_laydegUJun1qdty1d.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src="http://media.tumblr.com/tumblr_laydeyYbT81qdty1d.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src="http://media.tumblr.com/tumblr_laydfcULS51qdty1d.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;*Infrastructures&lt;/strong&gt; are flexible and anticipatory.  They work with time and they are open to transformation. By establishing  what must be fixed and what is subject to change, they can be precise  and intermediate at the same time. They do not progress toward  predetermined state, but are always evolving within a loose envelope of  constraints. Infrastructures manage and organize complex systems of  flow, movement and exchange. Infrastructures prepare the ground for  future building and create the conditions for future events.&lt;/p&gt;
&lt;p&gt;The project investigates the role of infrastructure in the city as  the tool able to bring a first state of order to informal settlements.  Infrastructures give direction to future work in the city, not by  establishing rules or codes, but by fixing points of service, access and  structure.&lt;/p&gt;
&lt;p&gt;This approach is applied to the City of the Dead, the Muslim  necropolis in Cairo. The cemetery is located on the west side of the  city and has an area of 7sqkm.&lt;/p&gt;
&lt;p&gt;The city of &lt;strong&gt;Cairo&lt;/strong&gt;, as other megalopolis in  developing countries, is undergoing a period of transformation: three  new metro lines are planned for the year 2030 and two of them will run  close to the cemetery.&lt;/p&gt;
&lt;p&gt;Vision 2050, promoted by the Egyptian Government, plans to entirely  demolish the area of the cemetery, in order to provide space for  high-rise building developments.&lt;/p&gt;
&lt;p&gt;The project aims at proposing an alternative strategy for this area  based upon a gradual restructuring of single parts of the cemetery. The  strategy implies that the infrastructure is the fixed element appointed  to organize several specific interventions.&lt;/p&gt;
&lt;p&gt;&lt;span&gt;All the existing elements within the cemetery &lt;/span&gt;are graphically  synthesized to points and an area of influence is associated to every  single one of them. Hence, a map has been generated: the area is  described as a field in which its global behaviour is determined by the  internal relationship of parts. The resulting image of the city is a &lt;strong&gt;virtual landscape&lt;/strong&gt; related to abstract indicators like the activity and attraction between the single points.&lt;/p&gt;
&lt;p&gt;Based on these maps, a phase-oriented strategy is proposed. Each  action produces a deformation on the map, allowing to observe the  consequences of the intervention within the city.&lt;/p&gt;
&lt;p&gt;The first phase of the project provides to intervene at a local  level, starting from the existing systems and using the potential  embedded in the informal areas. Close to the main mosques and the  craftsman activities, projects with a strong cultural characterization  are proposed. &lt;/p&gt;
&lt;p&gt;The second phase utilizes the introduction of the &lt;strong&gt;subway&lt;/strong&gt; as the structure for the intervention. New functions and more dense areas are located close to the new subway stops.&lt;/p&gt;
&lt;p&gt;Finally the new subway stops and the connection that they allow with  the buildings are designed. The architecture is reduced to its vertical  distribution. The&lt;strong&gt; infrastructural junctions&lt;/strong&gt; have a  decreasing grade of definition from the point of insertion of the  infrastructure out. Indeterminate areas are generated. They allow the  transition from the points that are fixed and designed to the informal  areas.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://www.elcontexto.net/post/17436300830</link><guid>http://www.elcontexto.net/post/17436300830</guid><pubDate>Sat, 11 Feb 2012 13:25:05 -0500</pubDate></item><item><title>by Robert Currie

‘927m of nylon monofilament with black and...</title><description>&lt;img src="http://29.media.tumblr.com/tumblr_lz14nxd49r1qhop1zo1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://30.media.tumblr.com/tumblr_lz14nxd49r1qhop1zo2_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://30.media.tumblr.com/tumblr_lz14nxd49r1qhop1zo3_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://26.media.tumblr.com/tumblr_lz14nxd49r1qhop1zo4_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;by &lt;a href="http://www.robertcurrie.com/"&gt;Robert Currie&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;span&gt;‘927m of nylon monofilament with black and coloured acrylic’ - 98x66x20cm 2010&lt;/span&gt;&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://www.elcontexto.net/post/17429224748</link><guid>http://www.elcontexto.net/post/17429224748</guid><pubDate>Sat, 11 Feb 2012 11:12:05 -0500</pubDate></item><item><title>White/Cream/Black/NYC
This is a fabulous photograph. I’d order...</title><description>&lt;img src="http://30.media.tumblr.com/tumblr_ltybopt3sa1r5v464o1_500.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;White/Cream/Black/NYC&lt;/p&gt;
&lt;p&gt;This is a fabulous photograph. I’d order this as a large print.&lt;/p&gt;</description><link>http://www.elcontexto.net/post/17390819660</link><guid>http://www.elcontexto.net/post/17390819660</guid><pubDate>Fri, 10 Feb 2012 17:48:05 -0500</pubDate><category>NY</category><category>Manhattan</category><category>Buildings</category><category>Architecture</category></item><item><title>GRUTA DAS TORRES VISITOR CENTRE, AÇORES

SAMI ARQUITECTOS
</title><description>&lt;img src="http://29.media.tumblr.com/tumblr_lybdebUEt71qba3oao1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://28.media.tumblr.com/tumblr_lybdebUEt71qba3oao2_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;GRUTA DAS TORRES VISITOR CENTRE, AÇORES&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;a href="http://www.sami-arquitectos.com/"&gt;SAMI ARQUITECTOS&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://www.elcontexto.net/post/17384150318</link><guid>http://www.elcontexto.net/post/17384150318</guid><pubDate>Fri, 10 Feb 2012 15:36:06 -0500</pubDate></item><item><title>Casa mila / Barcelona-España</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lyz9ugnWVl1qzleu4o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Casa mila / Barcelona-España&lt;/p&gt;</description><link>http://www.elcontexto.net/post/17378973354</link><guid>http://www.elcontexto.net/post/17378973354</guid><pubDate>Fri, 10 Feb 2012 13:24:06 -0500</pubDate><category>architecture</category><category>Gaudí</category></item><item><title>China’s clear days :)</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lywc01cFdq1r6d67xo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;China’s clear days :)&lt;/p&gt;</description><link>http://www.elcontexto.net/post/17374488955</link><guid>http://www.elcontexto.net/post/17374488955</guid><pubDate>Fri, 10 Feb 2012 11:12:05 -0500</pubDate><category>architecture</category></item><item><title>Project 12:31 | Animation from a cross-sectional photographs of...</title><description>&lt;img src="http://27.media.tumblr.com/tumblr_lz0tl5KZ6M1qzh8qao1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://www.project1231.com/"&gt;Project 12:31&lt;/a&gt; | Animation from a cross-sectional photographs of an executed convicted murderer.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Concept &amp; Art Direction:&lt;/strong&gt;&lt;span&gt; &lt;/span&gt;&lt;a href="http://cargocollective.com/croix"&gt;Croix Gagnon&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Photography: &lt;/strong&gt;&lt;a href="http://www.frankschott.com/1231.htm"&gt;Frank Schott&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;via &lt;a href="http://entropiciq.tumblr.com/"&gt;@entropicIQ&lt;/a&gt; &amp; &lt;a class="tumblr_blog" href="http://cerreyes-dpr-bcn.tumblr.com/post/17206058976/project-12-31-animation-from-a-cross-sectional"&gt;cerreyes-dpr-bcn&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://www.elcontexto.net/post/17338243945</link><guid>http://www.elcontexto.net/post/17338243945</guid><pubDate>Thu, 09 Feb 2012 17:48:05 -0500</pubDate></item><item><title>Villa Midgård by DAPstockholm</title><description>&lt;img src="http://26.media.tumblr.com/tumblr_lxhqkvoPpd1qh0usho1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://30.media.tumblr.com/tumblr_lxhqkvoPpd1qh0usho2_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://28.media.tumblr.com/tumblr_lxhqkvoPpd1qh0usho3_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/tumblr_lxhqkvoPpd1qh0usho4_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;Villa Midgård by DAPstockholm&lt;/p&gt;</description><link>http://www.elcontexto.net/post/17330761821</link><guid>http://www.elcontexto.net/post/17330761821</guid><pubDate>Thu, 09 Feb 2012 15:36:05 -0500</pubDate><category>Architecture</category></item><item><title>waiting for rain:
 site specific installation (Boston). time,...</title><description>&lt;img src="http://27.media.tumblr.com/tumblr_lz160tFTRy1rnj4wzo1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://30.media.tumblr.com/tumblr_lz160tFTRy1rnj4wzo2_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://25.media.tumblr.com/tumblr_lz160tFTRy1rnj4wzo3_r1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://25.media.tumblr.com/tumblr_lz160tFTRy1rnj4wzo4_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;&lt;em&gt;waiting for rain:&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt; &lt;/em&gt;site specific installation (Boston). time, sugar and mylar&lt;br/&gt;&lt;a href="http://wrk-kevintownsend.tumblr.com"&gt;KEVIN TOWNSEND&lt;/a&gt; | 2012 &lt;/p&gt;</description><link>http://www.elcontexto.net/post/17325450723</link><guid>http://www.elcontexto.net/post/17325450723</guid><pubDate>Thu, 09 Feb 2012 13:24:05 -0500</pubDate><category>instalation</category></item><item><title>- Robert Venturi</title><description>&lt;img src="http://27.media.tumblr.com/tumblr_lz0cnrAHU61qe0nlvo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;- Robert Venturi&lt;/p&gt;</description><link>http://www.elcontexto.net/post/17321050232</link><guid>http://www.elcontexto.net/post/17321050232</guid><pubDate>Thu, 09 Feb 2012 11:12:06 -0500</pubDate><category>architecture</category><category>quote</category></item><item><title>Odds’n’sods 2010: Efficient radiator by adamgreenfield on...</title><description>&lt;img src="http://29.media.tumblr.com/tumblr_lz19p3hiSt1qau3tlo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://www.flickr.com/photos/studies_and_observations/6836360687/" title="Odds'n'sods 2010: Efficient radiator"&gt;Odds’n’sods 2010: Efficient radiator&lt;/a&gt; by &lt;a href="http://www.flickr.com/photos/studies_and_observations/"&gt;adamgreenfield&lt;/a&gt; on Flickr.&lt;/p&gt;</description><link>http://www.elcontexto.net/post/17284323104</link><guid>http://www.elcontexto.net/post/17284323104</guid><pubDate>Wed, 08 Feb 2012 17:48:05 -0500</pubDate><category>Architecture</category></item><item><title>Audi AreA1 by Schmidhuber Partner</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lvdwspgE1L1qavye5o1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://29.media.tumblr.com/tumblr_lvdwspgE1L1qavye5o2_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;&lt;a href="http://www.contemporist.com/2011/11/23/audi-area1-by-schmidhuber-partner/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed:%20contemporist%20(CONTEMPORIST)"&gt;Audi AreA1 by Schmidhuber Partner&lt;/a&gt;&lt;/p&gt;</description><link>http://www.elcontexto.net/post/17271256000</link><guid>http://www.elcontexto.net/post/17271256000</guid><pubDate>Wed, 08 Feb 2012 13:24:05 -0500</pubDate><category>architecture</category></item><item><title>URA - KOP logistics office and storage, Puurs 2010. Via.</title><description>&lt;img src="http://26.media.tumblr.com/tumblr_lz1nlvvElp1qat99uo1_r1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://www.ura.be/"&gt;URA&lt;/a&gt; - KOP logistics office and storage, Puurs 2010. &lt;a href="http://www.fab-arch.be/nl/belgische-prijs/projecten/217-kop-logistiek-centrum"&gt;Via&lt;/a&gt;.&lt;/p&gt;</description><link>http://www.elcontexto.net/post/17266839214</link><guid>http://www.elcontexto.net/post/17266839214</guid><pubDate>Wed, 08 Feb 2012 11:12:05 -0500</pubDate><category>Architecture</category></item><item><title>A lot of people think L.A. is just eyesore after eyesore. Full...</title><description>&lt;iframe width="400" height="225" src="http://www.youtube.com/embed/FRWatw_ZEQI?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;A lot of people think L.A. is just eyesore after eyesore. Full of mini malls, palm trees and billboards. So what? They don’t know the L.A. I know. The good, the bad and the ugly about L.A. The good; The Forum, The Five Torches, The Cockatoo Inn, Brolly Hut, Watts Towers. One’s man eyesore is another man’s paradise. The Bad; the traffic. Each freeway has its own personality. The 405, bougie traffic. The 110, (ha ha) that’s gangsta traffic right there.There’s a difference, you gotta know where you at. Coming from South Central Los Angeles, you’ve got to use what you’ve got and make the best of it. What I love about the Eames is how resourceful they are. Charles and Ray Eames a husband and wife team. Before I did rap music I studied architectural drafting and one thing I learned is that you always gotta have a plan. Two days to build this frame. “Two Days.” Got off-the-shelf factory windows, prefabricated walls. They was doing mashups before mashups even existed. It’s not about the pieces, it’s how the pieces work together. You know taking something that already exists and making it some special. You know – kinda like sampling. In a world full of mc-mansions, where the structure takes up all the land. The Eames made structure and nature one. This Is Going Green 1949 Style, Bitch’. Believe that. Who are these people who got a problem with LA? Maybe they just mad that they don’t live here.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;strong&gt;-O’Shea Jackson &lt;/strong&gt;&lt;/span&gt;&lt;span&gt;&lt;strong&gt;[&lt;/strong&gt;&lt;/span&gt;&lt;span&gt;&lt;strong&gt;Ice Cube]&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://www.elcontexto.net/post/16410435550</link><guid>http://www.elcontexto.net/post/16410435550</guid><pubDate>Tue, 24 Jan 2012 11:12:05 -0500</pubDate><category>Ice Cube</category><category>Celebrate</category><category>Eames</category><category>O'Shea Jackson</category><category>hip hop</category><category>desogn</category><category>design</category></item></channel></rss>

